すべてのカテゴリー - GALLERY GLYCINE
Paul Aizpiri(1919 - 2016)
Aizpiri was an optimistic person since birth, a disposition reflected by the vibrant colors and the unrestrained brushstrokes characteristic of his works. His signature compositions always had a touch of friendliness with his integration of Fauvism, Expressionism, and Cubism.
In 1936, he started studying at L’École des Beaux-Arts, and his reputation was built as he held his first solo exhibition when he was 24.
In 1946, he won a prize at the Salon de la Jeune Peinture, and exhibited his works along with those of the most influential post-war painters, including Bernard Buffet and Paul Rebeyrolle.
1956 was the year his path as an artist was altered, that year he met with Foujita, Soutine, Van Dongen, Utrillo and Picasso, who greatly influenced his style and work. From the 1950s, famous galleries all over the world started to invite him for solo exhibitions.
In 1996, an Aizpiri museum (Nakata Museum of Art) opened in Japan.
He was the founder of "Salon des Moins de Trente ans". He was a member of the October Salon since 1945, and was also an active member of "Salon d'Automne", "Salon des Independents"
Piotre (1988-)
Piotre, or Pierre Ygouf’s alias, is a french artist, born in Caen and trained in design at Paris. Initially struck and shaped by street art and « Throw up », his graphic experiments lead him under Keith Harring’s, Speddy’s and André’s figurative influences. Partly applying Bauhaus’s codes, his work is taking shape of a more abstract approach on colours, following Di Rosa’s, JonOne’s or Cop2 tracks.
Prolific Painter, multiplying supports and crossed collaborations, he is developing his vision as well in the proliferation of black and white patterns, composed artworks halfway between comics strip and Jeröme Bosch’s paintings, as in more abstract researches on the confrontation of primary colours, creating graphic chimeras who inhabit his world.
On his canvases, which set on an endless universe in expansion, or on walls that he approaches as creations fully integrated in their environment, he questions incessantly the frontiers of our daily routine, inviting the spectators to extend his own experience.
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